selected biography  |  complete biography  


Born London 1946

Represented by Parafin


St Martin's School of Art, London, Postgraduate Diploma in Sculpture, 1969-70
University of Newcastle-upon-Tyne, BA Honours, Fine Art, 1965-69


Assistant to Claes Oldenburg, New York 1968
Assistant to Robert Morris, The Tate Gallery, London 1971


Parafin, London, 2014
Modern Art Oxford, 2013
Wilkinson Gallery, London, 2011
'Raw Material', Huddersfield Art Gallery; Kettle's Yard, Cambridge, UK, 2009-10
Matthew Bown Gallery, London, 2007
The Drawing Gallery, London, 2006
'Nervous System', part of the 'Einstein Spaces' series, EnBW Headquarters, Berlin, 2005
Osterwalder's Art Office, Hamburg, Germany, 2002-3
Arctic Ocean, Camden Lock, London, 2002
Osterwalder's Art Office, Hamburg, Germany, 1997
Frith Street Gallery, London, 1995
Kunstverein Freiburg, Germany, 1995
Kunstverein Heilbronn, Germany, 1995
Stadtgalerie Saarbrücken, Germany, 1995
Kunstverein Braunschweig, Germany, 1995
Osterwalder's Art Office, Hamburg, Germany, 1995
City Art Gallery, Manchester, UK, 1993
Frith Street Gallery, London, 1993
Whitechapel Art Gallery, London, 1992
Nicola Jacobs Gallery, London, 1990
Anthony Reynolds Gallery, London, 1988
Marlene Eleini Gallery, London, 1988
Torch Gallery, Amsterdam, The Netherlands, 1988
Hillman Holland Gallery, Atlanta, Georgia, USA, 1988
'Cold Turkey', Discreetly Bizarre Gallery, London, 1988
Anthony Reynolds Gallery, London, 1986
'The Tyranny of Reason', ICA, London, 1985
'Collisions in Empty Space', Provincial Museum, Hasselt, Belgium, 1983
'Distance', Vanilla Studios, London, 1981
Locus Solus, Genoa, Italy, 1981
British Pavilion, Venice Biennale, Venice, Italy, 1980
Gallery Bama, Paris, 1980
'Two Installations', Third Eye Centre, Glasgow, UK, 1980
Institute of Modern Art, Brisbane, Australia, 1979
Paola Betti, Milan, Italy, 1979
'Two Installations', Serpentine Gallery, London, 1979
'Present', Rowan Gallery, London, 1978
'Back to front', Kettle's Yard Gallery, Cambridge, UK, 1978
Henie-Onstad KunstCenter, Hovikodden, Norway, 1978
'Appearance/Apparition', Anthony Stokes Gallery, London, 1977
Rowan Gallery, London, 1976
'Displacements', Rowan Gallery, London, 1975
'Interference', Arnolfini Gallery, Bristol, UK, 1975
Whitechapel Art Gallery, London, 1974
'Infra-red/3 shots in the dark', Garage Gallery, London, 1974
Gallery House, London, 1973
'Infra-red/3 shots in the dark', Mitchell Street Studio, London, 1973
Museum of Modern Art, Oxford, UK, 1972
Mitchell Street Studio, London, 1970



'The Small Infinite', John Hansard Gallery, University of Southampton, 2014
William Wright Artists Projects, Sydney, 2014
X Marks The Bokship, London, 2014
Royal Academy Summer Exhibition, 2014
'The Edge of Painting', The Piper Gallery, London, 2013
Trinity Contemporary, London, 2013
Cafe Gallery, London, 2012
Royal Academy Summer Exhibition, London, 2012
'The Indiscipline of Painting', Tate St Ives, Mead Gallery, University of Warwick, 2011-12
'Broken Stillness', Salisbury Arts Centre, IDO Gallery, ISEA 2011, Istanbul, 2011
'Signs of a Struggle, Photography in the Wake of Post Modernism', V&A Museum, London, 2011
'40 Artists: 80 Drawings', Burton Art Gallery & Museum, Devon, 2011
'Several Interruptions, an Exhibition Celebrating 15 Years of the Slade Centre for Electronic Media in Fine Art', Front Lodge, University College London, 2011
'Room Divider', Wilkinson Gallery, London, 2010
'Paintings from the 80's', Matthew Bown Gallery, Berlin, 2009
'Recent British Drawing', Trinity Contemporary, London and New York, 2009
'Upside down/inside out', Kettle's Yard, Cambridge, UK, 2009
'Passports - Works from the British Council Collection selected by Michael Craig-Martin', Palazzo Reale, Padiglione d'Arte Contemporanea, Milan, 2009
'In Between the Lines: Recent British Drawings', Trinity Contemporary, London, 2009
'40 Artists - 40 Drawings', Victoria & Albert Museum, London, 2009
'40 Artists - 80 Drawings', The Drawing Gallery, Walford, Shropshire, UK, 2009
'John Moores Prizewinners 1957-2006', Walker Art Gallery, Liverpool, UK, 2008-9
'Close to the Surface - Digital Presence', ICA, London, 2008
'Slow Fields, Susan Collins & Tim Head', Osterwalders Art Office, Hamburg, Germany, 2008
'Terry Atkinson, Stuart Brisley, Tim Head', Fieldgate Gallery, London, 2008
'Art Futures', Bloomberg Space, London, 2008
'Sixty Years of the Arts Council Collection', Hayward Gallery, London, 2007
'40 Artists - 40 Drawings', The Drawing Gallery, London, 2007
'Pairs', The Drawing Gallery, London, 2006
'Framed', Slade Centre for Electronic Media, Research Centre, Woburn Square, London, 2006
'Drawing Inspiration', Abbot Hall Art Gallery, Kendal, Cumbria, UK, 2006
'Wunderkammer', The Collection, Lincoln, UK, 2005-6
'C'est Arrivé Demain', Biennale d'Art Contemporain de Lyon, France, 2003-4
'Days Like These', Tate Triennial exhibition of contemporary British Art, Tate Britain, London, 2003
'Generator', Spacex Gallery, Exeter; Liverpool Biennial and First Site, Colchester, UK, 2002-3
'Once Again', John Hansard Gallery, Southampton, UK, 2002
'The Language of Things', Kettle's Yard, Cambridge, UK, 2001
'Multiplication', British Council Touring exhibition, 2001-
'Live in Your Head: Concept and Experiment in Britain 1965-75', Whitechapel Art Gallery, London and Museo do Chiado, Lisbon, Portugal, 2000-1
'Close Up', Kunsthaus Baselland, Kunstverein Freiburg im Marienbad and Kunstverein Hannover, Germany, 2000-1
'Look Out', Wolverhampton Art Gallery, Bluecoat Gallery, Liverpool, Pitshanger Manor Gallery, London, and Wolsey Art Gallery, Christchurch Mansion, Ipswich, UK, 2000-1
'Point of View: works from a private collection', Richard Salmon Gallery, London, 2000
'Things: Assemblage, Collage and Photographs in Britain since 1936', Norwich Gallery, Norwich, UK, 2000
'D.I.Y', Glengall Road, London, 2000
'Plug Art', Camden Lock, London, 2000
'Art to Z', Zwemmer Gallery, London, 1999
'Thinking Aloud', curated by Richard Wentworth, Kettle's Yard, Cambridge, UK; Cornerhouse, Manchester UK; Camden Arts Centre, London, 1998-99
'Family', Inverleigh House, Royal Botanic Gardens, Edinburgh, 1998
'Root', Chisenhale Gallery, London, 1998
'Kunst und Windenergie zur Weltausstellung', Rathaus Hanover, Germany, 1998
'A Cloudburst of Material Possessions', curated by Paul Bonaventura, National Touring Exhibitions, South Bank Centre, London, 1997
'Threats and Containments', Concourse Gallery, Byam Shaw School of Art, London, 1997
'The Inner Eye', curated by Marina Warner, National Touring Exhibitions, South Bank Centre, London, 1996
'Still But Not Silent', Tate Gallery, London, 1996
'Voyages Sans Passport - Work from the Collection of the British Council', 1996
La Galerie de L'Ancienne Poste, Calais, France, 1996
'Happy End', Kunsthalle, Dusseldorf, Germany, 1996
'Geben und Nehmen', Schloss Plüschow, Mecklenburgischen Künstlerhaus, Plüschow, Germany, 1996
'Paper Art 6', Leopold-Hoesch Museum der Stadt Düren, Düren, Germany, 1996
'Artist's Christmas Cards', Atrium Bookshop, London, 1995
'Double-click', Kingsgate Gallery, London, 1995
'Open House', Kettle's Yard, Cambridge, UK, 1995
'From Picasso to Woodrow: Recently Acquired Prints and Portfolios', Tate Gallery, London, 1995
'Witness: Photoworks from the Collection', Tate Gallery, Liverpool, 1995
'Endzeitstimmung', Gallery A, Stuttgart, Germany, 1994
'Red Ribbon Art Show 94', Imagination Gallery, London, 1994
'Post-Decadence', Café Gallery, London, 1993
'B Art Code' Exhibition, L'Arsenal Du Charroi, Brussels, Belgium, 1992
'Opie - Head - Albrecht - Kurimoto', Foro Per L'Arte Contemporanea, Scavi Archeologici, Verona, Italy, 1991
'The Golden Age', Kunstverein Stuttgart, Germany, 1991
'De-composition - Constructed Photography in Britain', British Council Touring Exhibition, 1991
Harry Zellweger Gallery, Basel, Switzerland, 1991
'Observed/Constructed Realities', Pomeroy Purdy Gallery, London, 1991
'Objects for the Ideal Home - The Legacy of Pop Art', Serpentine Gallery, London, 1991
'Second Sight', Galerie Conrads, Neuss, Germany, 1990
'Gambler', Building One, London, 1990
'Seven Obsessions', Whitechapel Art Gallery, London, 1990
'Corporate Identities', Cornerhouse, Manchester, 1989
'After the Empire: New Expressions in British Art', The Ruthven Gallery, and Festival Gallery, Lancaster, Ohio, USA, 1989
'Invisible Cities', Leeds City Art Galleries, Leeds, UK, 1989
'Through the Looking Glass', Barbican Art Gallery, London, 1989
'Subject:Object', Nicola Jacobs Gallery, London, 1989
'Prospect-Photographie', Frankfurter Kunstverein, Germany, 1989
'Das Konstruierte Bild Photographie, Arrangiert und Instilliert', Kunsthalle Munich, Germany and touring Germany, 1989
'Tekens van Verzet', Museum Fodor, Amsterdam, The Netherlands, 1989
'John Moores Liverpool Exhibition 16, Walker Art Gallery, Liverpool, UK, 1989
'Ten Years at Nicola Jacobs Gallery', Nicola Jacobs Gallery, London, 1989
'The Tree of Life', Cornerhouse, Manchester, and touring, UK, 1989
'It's a Still Life', works from the Arts Council of Great Britain Collection, Plymouth City Museum and Art Gallery, Plymouth, and touring, UK, 1989
'The British Picture', LA Louver, Venice, California, USA, 1988
'Playing: For Real - Toys and Talismans', Southampton City Art Gallery and touring, UK, 1988
'The Day Book Exhibition', Smith's Gallery, London, and touring, UK, 1988
'Object and Image - Aspects of British Art in the 1980s', City Museum and Art Gallery, Stoke-on-Trent, UK, 1988
'100 Years of Art in Britain', Leeds City Art Galleries, UK, 1988
'World Fax 88', Kunstraum, Neuss, Germany, and Center for Advanced Visual Studies, MIT, Cambridge, Massachusetts, USA, 1988
'The New British Painting', The Contemporary Arts Center, Cincinnati; Chicago Cultural Center, Chicago; Haggerty Museum, Marquette University, Milwaukee, Wisconsin; South Eastern Center for Contemporary Art, Winston-Salem, North Carolina; Grand Rapids Art Museum, Michigan, USA, 1988
'John Moores Liverpool Exhibition 15', Walker Art Gallery, Liverpool, UK, 1987
'Appropriate Pictures', Anthony Reynolds Gallery, London, 1987
'The British Edge', ICA, Boston, USA, 1987
'On A Plate', Serpentine Gallery, London, 1987
'Photography: Art and Image', Oldham Art Gallery, Oldham, UK, 1987
'State of the Nation', Herbert Art Gallery and Museum, Coventry, UK, 1987
Galerie Wittenbrink, Munich, Germany, 1987
'Mysterious Coincidences', The Photographers' Gallery, London, and touring internationally, 1987
'Imposters', Interim Art, London; Cambridge Darkroom, Cambridge, UK,1986
'Works on Paper', Anthony Reynolds Gallery, London, 1986
'Lumieres: Perception - Projection', CIAC, Montreal, Canada, 1986
'Contrariwise - Surrealism and Britain 1930-1986', Glynn Vivian Art Gallery, Swansea, and touring, UK, 1986
'Food as Politics', Camerawork, London, 1985
'10th Anniversary Exhibition', Third Eye Center, Glasgow, UK, 1985
'The Irresistable Object: Still Life 1600-1985', Leeds City Art Galleries, Leeds, UK, 1985
'New Art I', Anthony Reynolds Gallery, London, 1985
'Sculpture Alternatives - Aspects of Photography and Sculpture in Britain 1965-1982', Tate Gallery, London, 1985
'Umbang Mit Der Aura', Stadtische Galerie, Regensburg, Germany, 1985
'Stuart Brisley, Ron Hasleden and Tim Head', Acme Studios, London, 1984
'The British Art Show', Arts Council of Great Britain, touring exhibition, UK, 1984
'Connections', ICA, Philadelphia, USA, 1983
'Perspectives 83', Art International Kunstmesse, Basel, Germany, 1983
'Aperto 82', XXXXth Venice Biennale, Venice, Italy, 1982
'Sound Works, Tape-Slide, Performance', Tate Gallery, London, 1982
'Deserto', Museo Civico, Bergamo, Italy, 1981
'Camden Artists', Swiss Cottage Library, London, 1981
'Erweiterte Fotografie', Weiner Secession, Vienna, Austria, 1981
'British Sculpture in the Twentieth Century', Whitechapel Art Gallery, London, 1981
'Photography as Medium', British Council touring exhibition, 1981
'Construction in Process in the Art of the 70s', 1981
'Installation, Performance, Film, Video', Tate Gallery, London, 1981
'British Art Now: An American Perspective', Solomon R Guggenheim Museum, New York, and touring USA; Royal Academy of Arts, London, 1980
'Beyond Surface', ICC, Antwerp, Belgium, 1980
'Dance Umbrella 80', (with Miranda Tufnell, Dennis Greenwood, Sue McClennan and Hugh Davies), Whitechapel Art Gallery, London, and touring The Netherlands, 1980
'The Human Factor', Arts Council, UK, touring exhibition, 1980
'Artist and Camera', Arts Council, UK, touring exhibition, 1980
'Un certain art anglais', ARC, Musée d'Art Moderne de la Ville de Paris, Paris, 1979
'JP2', Palais des Beaux-Arts, Brussels, Belgium, 1979
'3rd Sydney Biennale', Art Gallery of New South Wales, Sydney, Australia, 1979
'6th British International Print Biennale', Bradford City Art Gallery, UK, 1979
'Front Gallery/Back Gallery', Nigel Greenwood Gallery, London, 1979
Arnolfini Gallery, Bristol, UK, 1978
'Documenta VI', Kassel, Germany, 1978
'10th Paris Biennale', Musée d'Art Moderne de la Ville de Paris, Paris, 1977
'On Site', Arnolfini Gallery, Bristol, UK, 1977
'British Artists' Prints 1972-77', British Council touring exhibition, 1977
'Reflected images', Kettle's Yard, Cambridge, UK, 1977
'Arte inglese oggi', Palazzo Reale, Milan, Italy, 1976
'Zeit, Worte und die Kamera: Fotoarbeiten englischer Kunstler', Kunstlerhaus, Graz, Austria, 1976
'8th Paris Biennale', Musée d'Art Moderne de la Ville de Paris, Paris, 1973
'Open Air Sculpture Exhibition', Holland Park, London, 1972
'Arts Spectrum', Alexandra Palace, London, 1971
'New Sculpture', Arts Council of Great Britain touring exhibition, 1970



Passing Light commission by the London Sinfonietta for a collaboration between composer Bryn Harrison and artist Tim Head. Performance with digital projection, Spitalfields Music Festival, Rich Mix, London 2014
Artist in Restaurant, Pied a Terre, London 2013-14
Designs for Liberty Art Fabrics, Liberty, London, 2011
Open Field and Light Cycle, Department of Biochemistry, University of Oxford, UK, 2008
Float, digital projection for 'Light Up Queen Street', Corporation of London, 2005-6
Artwork for billboard poster for various London Underground stations, Becks Beer Art Campaign, 2005
A Hard Day's Night, CD-ROM, edition 1000. Commissioned by eyestorm.com, 2000
'Cultural Ties', Kapil Jariwala/Westzone Gallery, London, 2000
Artistic Director for The Eurythmics Peacetour, touring worldwide, 1999
'Shopping', FAT, London, 1999
Light Rain, Artezium Arts and Media Centre, Luton, UK, permanent work, 1998
Blue Skies, Chatham Historic Dockyard, City of Rochester Upon Medway, Kent, UK, 1997
'ActualFactual', artwork for collaborative dance performance with Laurie Booth and Scanner, Queen Elizabeth Hall, London and European tour, 1997
Artwork for Tate Gallery Centenary, 1997
Artwork for The Mule - newspaper and internet project, 1997
Artwork for 'Spellbound' Art and Film issue, Sight and Sound magazine, 1996
Floor Design, Science Museum, London, 1995
Film for Jesus' Blood, Gavin Bryars concert, Queen Elizabeth Hall, London and European tour, 1993-94
Design for artist's label, Becks Beer in conjunction with exhibitions at the Whitechapel Art Gallery, London and Manchester City Art Gallery, UK, 1992
Design for Artist's T-shirt, Tate Gallery, London, 1991
Tate Gallery Christmas Tree, Tate Gallery, London, 1989
Video commissioned by ICA and BFI for Nelson Mandela 70th Birthday tribute concert, Wembley Stadium, UK, 1988
Designs commissioned by Georgina Godley for her Spring/Summer 87 collection, 1987
Public project commissioned by Manchester City Festival and The Artangel Trust, Manchester, UK, 1986
Sculpture commission, National Museum of Photography, Film and Television, Bradford, UK, 1985



Artist's Residency, Structural Bioinformatics and Computational Biochemistry Unit, Department of Biochemistry, University of Oxford, UK, 2006-7
SciArt Award, The Wellcome Trust, 2006
First Prize, John Moores 15th Exhibition, Walker Art Gallery, Liverpool, UK, 1987
Elephant Trust Award, 1985
Fellowship at Clare Hall and Kettle's Yard, Cambridge, UK, 1977-78
Gulbenkian Foundation Visual Arts Award, 1975



The Arts Council of Great Britain
Auckland City Art Gallery, Auckland, New Zealand
The British Council Collection
The British Museum, London
City Art Gallery, Southampton, UK
The Contemporary Arts Society
Fitzwilliam Museum, Cambridge, UK
The Gulbenkian Foundation, London
John Creasey Museum, Salisbury, UK
Leeds City Art Gallery, UK
National Museums and Galleries on Merseyside, Walker Art Gallery, Liverpool, UK
The Solomon R Guggenheim Museum, New York
Tate Gallery, London
The Victoria and Albert Museum, London



Slade School of Fine Art, University College London, 1976-2011
Goldsmiths College School of Art, University of London, 1971-79



Briers, David, 'Tim Head: Raw Material', Art Monthly, no.333, February 2010
Lubbock, Tom, 'Great Works: Cow Mutations 1987', The Independent, 2 October 2009
Unruh, Rainer, 'Slow Fields - Susan Collins and Tim Head at Osterwalders Art Office', Kunstforum International, 194, 2008
Sumpter, Helen, 'Tim Head', Time Out, London, 29 March 2006
Kimmelman, Michael, 'London is Agog Over Art, Especially Saatchi's', The Arts, The New York Times, Tuesday 29 April 2003
Herbert, Martin, 'Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003', Art Monthly, no.265, April 2003
Cumming, Laura, 'British Bullseye', Review Section, The Observer, 2 March 2003
Searle, Adrian, 'This is a Stick-Up: Days Like These, Tate Britain, London', Visual Arts Section, The Guardian, 25 February 2003
Tufnell, Ben, 'Tim Head', Days Like These: Tate Triennial Exhibition of Contemporary British Art 2003, Tate Publishing, 2003
Lapp, Axel, 'Tim Head: Osterwalder's Art Office, Hamburg, Germany', Art Monthly, no.262, December-January 2002-3
Berg, Stephan, 'Blasse Schatten Hinter Fahlen Feuern zu den Arbiten von Tim Head', Monographie Section, Kunstforum International, vol.141, July-September 1998
Garnett, Robert, 'Open House, Kettle's Yard, Cambridge', Art Monthly, no.185, April 1995
Berg, Stephan, 'In the Underworld of the Zombies', Tim Head, Kunstverein Freiburg, Germany, 1995
Happel, Reinhold, 'Exquisite Corpse: Notes on a New Slide Installation by Tim Head', Tim Head, Kunstverein Freiburg, Germany, 1995
Bonaventura, Paul, 'Creatures from Another World: Tim Head Interviewed', Tim Head, Kunstverein Freiburg, Germany, 1995
Hatton, Brian, 'Tim Head in Logoland', Art Monthly, no.163, February 1993
Archer, Michael, 'Tim Head, Whitechapel Art Gallery, London', Artforum, vol.XXXI, no.6, February 1993
Livingstone, Marco, 'Return of the Body-Snatcher', Tim Head, (exhibition catalogue), Whitechapel Art Gallery, London, 1992
Livingstone, Marco, 'Objects for the Ideal Home', Objects for the Ideal Home: The Legacy of Pop Art, (exhibition catalogue), Serpentine Gallery, London, 1991
Renton, Andrew, 'Plotting: Angela Bulloch, Tim Head, Darrell Viner', Performance, no.62, November 1990
Hilton, Tim, 'A Room with a View', The Guardian, UK, 29 August 1990
Want, Christopher, 'Tim Head', Art Monthly, no.138, London, July-August 1990
Head, Tim, 'State of the Art', It's a Still Life, (exhibition catalogue), Arts Council of Great Britain, London, 1989
Caiger-Smith, Martin, 'The Art of Photography, Blurring the Boundaries', The RA Magazine, no.25, London, winter 1989
Bonaventura, Paul, 'Tim Head', Tim Head, (exhibition brochure), Torch Gallery, Amsterdam, The Netherlands, 1988
Mellor, David, 'British Photography: Towards a Bigger Picture - Romances of Decay/Elegies for the Future', Aperture, no.113, winter 1988
Hatton, Brian, 'Tim Head', Artscribe, no.70, July 1988
Searle, Adrian, 'Tim Head', Artforum, June 1988
Cooke, Lynne, 'Mysterious Coincidences', Artscribe, no.69, May 1988
Graham-Dixon, Andrew, 'Alienation and All That', The Independent, UK, 15 March 1988
Hall, James, 'No Risk Policy', New Statesman, 11 March 1988
Currah, Mark, 'Tim Head - Anthony Reynolds', City Limits, 10 March 1988
Bredin, Lucinda, 'Making their Mark on Dresses', Evening Standard, London, 8 March 1988
Withers, Jane, 'Head Case', The Face, no.95, UK, March 1988
Kent, Sarah, 'Review', Time Out, 21 February 1988
Currah, Mark, 'Mogodons and Munchies', City Limits, 18 February 1988
Spalding, Frances, 'Continuities and Inconsistencies in Current British Art', 100 Years of Art in Britain, (exhibition catalogue), Leeds City Art Galleries, Leeds, UK, 1988
Watson, Gray, 'Tim Head', Tim Head, (exhibition catalogue), Anthony Reynolds Gallery, London, 1988
Currah, Mark, 'Tim Head', City Limits, 29 December 1987
Januszczak, Waldemar, 'Colors You Can't Believe', The Guardian, UK, 24 December 1987
Greenberg, Reesa, 'Tim Head', C Magazine, Winter 1987
Currah, Mark, 'Tim Head', City Limits, 5 March 1987
Kent, Sarah, 'Tim Head', Time Out, London, 4 March 1987
Talbot, Linda, 'Prize Perceptions', Ham and High, London, 13 February 1987
Feaver, William, 'Mutation in the Meadow', The Observer, UK, 1 February 1987
Vaizey, Marina, 'British Art Makes a Name for Itself', The Sunday Times, UK, 25 January 1987
Lothian, Murdoch, 'Heads You Win', The Guardian, UK, 24 January 1987
Head, Tim, 'Cow Mutations', John Moores Liverpool Exhibition 15, (exhibition catalogue), Walker Art Gallery, Liverpool, UK, 1987
Head, Tim, 'Plenty', The British Edge, (exhibition catalogue), Institute of Contemporary Art, Boston, USA, 1987
Head, Tim, 'Statement', State of the Nation, (exhibition catalogue), Herbert Art Gallery and Museum, Coventry, UK, 1987
Watson, Gray, 'Tim Head at Anthony Reynolds', Artscribe, September-October 1986
Bonaventura, Paul, 'Tim Head. Il faut etre de Sons temps', Artefactum, vol.3, no.15, September-October 1986
Lee-Woolf, Mary, 'Tim Head in Conversation with Mary Lee-Woolf', Artline, vol.3, no.5, summer 1986
Tyson, Matthew, 'Tim Head', Nike, no.14, July-September 1986
Roberts, John, 'Tim Head', Art Monthly, no.97, London, June 1986
Currah, Mark, 'Tim Head', City Limits, 8 May 1986
Bonaventura, Paul, 'The State of the Art', Metropolis M, 1985
Head, Tim, 'Preface', The Tyranny of Reason, (exhibition catalogue), Institute of Contemporary Arts, London, 1985
Robertson, Alexander and Miranda Strickland-Constable, 'On Still Life', The Irresistible Object: Still Life 1600-1985, (exhibition catalogue), Leeds City Art Galleries, Leeds, UK, 1985
Roberts, John, 'The Politics of New Technology', AND Journal of Art, no.5, 1985
Dormer, Peter, 'Fitting Images', New Statesman, 1 March 1985
Fisher, Jean, 'Introduction', Tim Head, (exhibition catalogue), Provinciaal Museum, Hasselt, 1983
Head, Tim, 'Compass', Tim Head - Compass, (exhibition brochure), Tate Gallery, London, 1982
Cork, Richard, 'A Great Place for a Man to Meet a Woman', Evening Standard, 24 June 1981
Head, Tim, 'Statement', Aspects, no.12, 1980
Thompson, Jon, 'Venice - Aspects of the 1980 Biennale', The Burlington Magazine, November 1980
Nuridsany, Michel, 'Tim Head: Le reel en question', Le Figaro, 11 April 1980
Hughes, Robert, 'From Sticks to Cenotaphs', Time, Il February 1980
Forgey, Benjamin, 'Tim Head', The Washington Star, 3 February 1980
Ferrari, Corrina, 'L'unité e il suo doppio', Domus, February 1980
Zimmer, William, 'London Stalling', Soho News, 31 January 1980
Wolff, Theodore F, 'British Art Now: A Joy to Behold', Christian Science Monitor, 30 January 1980
Caroli, Flavio, 'I fatti della vita di Tim Head', Corriere della Serra, 6 January 1980
Head, Tim, 'Eight from England - Images that make themselves', Art News, vol.79, no.1, January 1980
Waldman, Diane, 'British Art Now: An American Perspective', British Art Now: An American Perspective, (exhibition catalogue), Solomon R Guggenheim Museum, New York, 1980
Lynton, Norbert, 'Tim Head', Tim Head, (exhibition catalogue), British Pavilion, XXXIXth Venice Biennale, Venice, Italy, 1980
Davies, Alan, 'Tolly Cobbold', Art Monthly, no.26, London, May 1979
Shepherd, Michael, 'Tim Head', Arts Review, March 1979
Borlase, Nancy, 'Paris Flights', Sydney Morning Herald, Sydney, Australia, 24 February 1979
Page, Suzanne, 'Un certain art anglais... a l'ARC', L'Oeil, no.282-283, January-February 1979
Huser, France, 'Calligraphies et Graffiti', Le Nouvel Observateur, 29 January 1979
Crichton, Fenella, 'Tim Head: Recent Work', Tim Head: Recent Work, (exhibition catalogue), Kettle's Yard, Cambridge, UK, 1978
Davies, Alan, 'Review', Art Monthly, London, May 1978
McEwan, John, 'Bait and Hook', The Spectator, 22 April 1978
Searle, Adrian, 'Tim Head at the Rowan Gallery', Artscribe, no.5, February 1977
Wallworth, B, 'Tim Head', Arts Review, vol.XXVIII, no.26, November 1976
Feaver, William, 'Showing the Flag', The Observer, UK, 14 March 1976
Head, Tim, ''Real Space' versus 'Art Space'', Arte inglese oggi, (exhibition catalogue), Palazzo Reale, Milan, Italy, 1976
Crichton, Fenella, 'Space as Conundrum. The Work of Tim Head', Art International/Art Spectrum, vol.XIX, no.8, October 1975
Tagg, John, 'In Camera', Studio International, vol.190, no.976, July-August 1975
Crichton, Fenella, 'London', Art International/Art Spectrum, vol.XIX, no.5, May 1975
Shepherd, Michael, 'Euan Uglow and Tim Head', Arts Review, vol.XXVI, no.9, 3 May 1975
Brooks, Rosetta, 'Review', Studio International, vol.189, no.974, March-April 1975
Burr, James, 'Round the Galleries', Apollo, vol.CI, no.974, January 1975
Feaver, William, 'Tim Head', Financial Times, UK, 27 January 1975
Gosling, Nigel, 'Revelations at the Supermarket', The Observer, UK, 19 January 1975
Cork, Richard, 'How the Camera Lies', Evening Standard, London, 16 January 1975
Tisdall, Caroline, 'Displacements', The Guardian, UK, 16 January 1975
Overy, Paul, 'Artist's Artist', The Times, UK, 14 January 1975
Vaizey, Marina, 'Slogans in Style', The Sunday Times, UK, 12 January 1975
Head, Tim, 'Glossary - A Preliminary Sketch', Flash Art, no.48-49, October-November 1974
Russell, John, 'One Pair of Eyes', The Sunday Times, UK, 12 May 1974
Cork, Richard, 'Review', Evening Standard, London, 2 May 1974
Fuller, Peter, 'Tim Head', Arts Review, 24 January 1974
Head, Tim, Reconstruction, Idea Books, London, 1973
H A, 'Gallery on Show', The Critics